https://www.ayashbasuphotos.com/blog daily 1.0 2025-12-17 https://www.ayashbasuphotos.com/blog/tucumcari-tonite monthly 0.5 2025-12-17 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/01d00824-b214-433c-94da-db983e90d6b0/000086380013.jpg Blog - Tucumcari Tonight - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1628313123934-H0NJ023KWATU4WWC0TH6/L1006819.jpg Blog - Tucumcari Tonight © Ayash Basu. Leica M10R with Leica 35mm Summilux FLE https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1628313137381-JS64TK6VDY5WC4GUIXJJ/L1005662.jpg Blog - Tucumcari Tonight © Ayash Basu. Leica M10P with Leica 28mm Elmarit https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1628313153460-OOSINW4MFJWMGLTX8OC0/L1006820.jpg Blog - Tucumcari Tonight © Ayash Basu. 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Nikon F100 with Nikon 28mm F2.8 AIS on Kodak Portra 400 https://www.ayashbasuphotos.com/blog/austin-on-film-during-covid monthly 0.5 2025-09-01 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591144887615-6LW0QPBNZWZ2DY049RMK/000073560025.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. 6th street bars had to be shut down following the Mayor’s shelter-in-place orders but the doors and windows were all boarded up to provide a canvas to local artists. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591145774940-90ZA4CZU8WNJUN04JZ5V/000073560035.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. Art and abstracts on a warehouse wall. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591146143974-4O2O5TMYYGUVEMFKKD2H/000073560022.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. Probably something a lot of us were feeling in the early days of the pandemic. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591144452376-1PMH1O9BCWVM0HCJG7RO/000073560012.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. I was pleasantly surprised to these classic Americans in an East Austin parking lot. These are not just a Havana thing! https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591146773501-X7FHZ9MVGRCD0CMB3LEC/000073560020.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591144488785-TSK5YLN57PRNEDL6QSAE/000073560033.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. Boots and boot repair must go on in Central Texas, no matter the pandemic. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591144666420-GVYAJFPEZ3KH7G3YEWVY/000073560021.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. One of my favorite spots in ATX is Antone’s on 5th. I’m not a regular to the downtown music scene but Antone’s has always delighted every time I’ve come here. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591145179726-YJ5X3GAEQ8RMKK0MWANZ/000073560031.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. This is an eerie sight for the parking lot of The Local Post, a venue for many business meetings, catch ups, and working sessions. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1591144718730-HVYP6QTSCI1EB7WRC5E0/000073560015.jpg Blog - A city paused: Austin through film © Ayash Basu April 2020. https://www.ayashbasuphotos.com/blog/an-afternoon-with-bobby-carcasses monthly 0.5 2025-08-29 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580174893541-U3F6DFNEXZ6LA3F1BB3L/Bobby+Carcasses+1.jpg Blog - An afternoon with Bobby Carcassés Bobby Carcassés in the midst of demonstrating a pantomime, one of his evergreen hits that he remises even today. © Ayash Basu, 2020 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580233468497-ENDRR1VUUBSLZ1BLH5UF/Bobby+Carcasses+6.jpg Blog - An afternoon with Bobby Carcassés Bobby Carcassés showing a glimpse of his numerous art pieces created over the decades. Much of it is a reflection of the jazz world from one of its most versatile masters. © Ayash Basu, 2020 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580180335829-12RCWV2P0QGD5GYZEKQF/Bobby+Carcasses+2.jpg Blog - An afternoon with Bobby Carcassés Bobby Carcassés draws up a miniature of one his paintings in real time and offers it to me, a generous gift that I shall cherish forever. © Ayash Basu, 2020 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580222912533-92VFYB44P3VAQXYD93R3/Bobby+Carcasses+4.jpg Blog - An afternoon with Bobby Carcassés Bobby Carcassés instinctively plays a tune at his small studio just big enough to host his instruments and drawing desk. Imprints of Aurobindo, Yogananda, and Gandhi are hard to miss. © Ayash Basu, 2020 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580183653697-MBDFVHOSI12YSCV4T7LK/Bobby+Carcasses+3.jpg Blog - An afternoon with Bobby Carcassés © Bobby Carcassés. One of Bobby’s many paintings that fill up his studio and apartment - a rendition of a scene that he knows better than most. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1580226903189-J2DKJG9RSGHPI7BZIFNU/Bobby+Carcasses+5.jpg Blog - An afternoon with Bobby Carcassés Bobby recalls his earlier days on stage. He’s done it all from Opera, Zarzeula, Theater, Radio, to Orchestra, Cabaret, Jazz, and Cinema. © Ayash Basu, 2020 https://www.ayashbasuphotos.com/blog/way-of-the-cross-lujn-edition monthly 0.5 2025-04-13 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1576906927103-O5D8PMQ8TENHAO2C333O/Lujan3.jpg Blog - Way of the Cross – Luján edition © Ayash Basu. The seventh station – Jesus is about to fall for the second time. https://www.ayashbasuphotos.com/blog/the-last-aryans-of-ladakh monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1589402158307-2805SCCDM2E20VLH8CK2/AMS_3524.jpg Blog - The last Aryans of Ladakh Dah village women gather inside a dining room filled with traditional metal ware and utensils. © Ayash Basu 2018 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1589390569053-26JHEL3Y1W1Y64LEH96U/Dah_Hanu_Aryans06-1.jpg Blog - The last Aryans of Ladakh The chief of Beemia is also a public works officer with the Govt. of India and enjoys a large family with apple orchards, gardens, and barley fields. © Ayash Basu 2018 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1589402929679-JEA9VWE7YPZVCI489EZM/AMS_3489.jpg Blog - The last Aryans of Ladakh © Ayash Basu 2018 https://www.ayashbasuphotos.com/blog/turtuk-a-land-of-the-balti-apricots-and-breathtaking-landscapes monthly 0.5 2025-09-01 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1589655918832-BQJJ4M4UPIG0T4TFJLOD/AMS_4168.jpg Blog - Turtuk: Lost, found, and absolutely stunning A green oasis full of buckwheat fields in the 10,000 feet upper Ladakh mountains is a true paradise in every sense. © Ayash Basu 2018 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1576901233225-ZRSCJNQDM6GKIW7Z3EJP/AMS_4132.jpg Blog - Turtuk: Lost, found, and absolutely stunning Young Balti girls blush at the sight of outsiders, quickly rushing to play in the fields. 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While Gaurav is heavier, bigger and likely stronger, Suraj Kant is more agile and has better technique (to Nandu Yadav's very audible point). He finds gaps in his opponent's defenses very quickly and is swift to attack the head with his right hand while protecting his own with the left. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186255994-5IKN6YI0Z2JHK32P5TRF/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185912259-W4VMB30DKAYQ27IWFAGW/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Gaurav Tiwari having lost his first round, watches from behind the fence. Suraj Kant's second round with Pankaj Patel starts off with the latter gaining early ground. Elder wrestlers like Nandu Yadav and others are inside the akhara (pit) giving tips and instructions to both, while youngsters watch, listen and learn. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186516812-WPRRYLJUDE0UZRRXLH67/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. At around 8:30am, Suraj Kant takes a bath in the Hooghly to get rid of all the clay and sweat. 4 hours of a daily morning ritual finally over, he will now get ready and leave for his day job, at a nearby parking lot on Strand Road. The children will go to a local school, the elders will hang around the temple and kill time in the summer heat. Suraj Kant Tiwari, Gaurav Tiwari, Pankaj Patel and others in that age group will work, buy groceries, cook and clean. All in a days work while trying their best to preserve pehlwani and a way of life they are accustomed to - "Kushti." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185271710-F1KXBXO856JPSRW3THRP/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. 20 year old Suraj Kant Tiwari (Jwala Kant's son) is an emerging wrestler. While his father is away at Gorakhpur to attend to family matters, he oversees the daily operations of the akhara. Most young athletes today, look for the means and access to modern gyms and equipment for training. The results are quicker, as more advanced training is possible. "But your body looses flexibility and agility, which are extremely important for a wrestler. This is hard work done in very basic environments but we'd rather stick to this to preserve longevity," argues Suraj Kant as he does 3 sets of 50 push ups each following his prayers. Suraj has participated in and won many local tournaments, once inches away from wrestling in the national championships until he did not make it. "Winning tournaments is good as it gives us exposure and recognition, but kushti is a way of life for us, has been in my family for many generations and we must work harder to keep its survival. In this day and age, nobody cares about kushti and pehlwans." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186115741-E03OE0W4CZY8JHKMJH0D/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186020631-A1FAPW7Q9VTYLSU1CIII/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186319128-N83ZY75UHDFP4LI4DD5Z/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186416985-CQDRTUBVVR7JJXT4JRB8/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. In between workouts, Suraj Kant takes a breather and talks to me about the akhara and its future. "There is diminishing interest in kushti and resources are scarce. We each have to consume 200 grams of almonds, half a pound of ghee (clarified butter), two to three types of vegetables and 3 litres of milk, a day. Without that fuel, our bodies cannot sustain pehlwani. We go to local schools and we also work to afford this akhara and its related expenses. There is no meaningful support from the government either. We have a few individuals who have come and joined the akhara and that helps a little, but I worry how sustainable this is. My father has run this however he could for the last 50 years, soon it will be on me. Let's see." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186466511-LMK5GV8XCXIZJ7MCN8TU/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. This is the best part of a pehlwan's life. After the morning's kushti and workouts are done, pehlwans lay flat on the treated akhara clay to cool down and get a massage from junior folks. This both nourishes and heals the body. It is also a time of friendly banter, catching up and shifting gears to the rest of the day. The akhara clay is considered to be pure with therapeutic properties. Pehlwans worship the pit and continuously douse themselves with clay while wrestling. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186074504-JN9GOCBH1H1J2S96TO87/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185187553-S3KXHAK6ZA9WPLED39VN/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Nandu Yadav moved to Calcutta in 1965 (he isn't exactly sure of when but believes it was around then) from Azamgarh, a small town 70 miles north of Varanasi and a known hub of criminal activity. "What's a pehlwan looking to make a living going to do in Azamgarh? So I moved to Calcutta to practice pehlwani and joined Jwala Kant Tiwari's akhara right here," he reminisces. Jwala Kant Tiwari is an immigrant pehlwan himself, having moved from Gorakhpur a few years earlier and established the akhara on the banks of the Hooghly. This akhara now houses three generations of pehlwans, who start their daily rituals at about 4:30am with a Hanuman (Bajrang Bali) prayer followed by a series of physical exercises - the mace (gada), weights, ropes, bars and aerobics. Nandu is the first one to perform the mace exercise. Having wrestled for over 30 years, he doesn't have the mobility of the younger generation to partake in all exercises or even wrestling at this stage. But, his experience, wisdom and keen eye serve to guide other pehlwans in the akhara who look up to him as their mentor. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185419421-L0TZHXLDACOS304E5IMQ/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Wrestlers immediately go after the opponent's head and neck in an effort to pin him down and gain a stranglehold. Traditional malla-yuddha emphasizes on this attack; the Moghuls introduced better footwork and ground movement techniques to the sport. No hitting, kicking, slapping is allowed in kushti. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185634988-3JPYG8UHW675Q39CR180/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Other wrestlers continue their warm up routines as they wait turns to the akhara. Pankaj Patel will wrestle with Suraj Kant shortly and is getting ready. Most pehlwans start at the age of 7 or 8 helping others with their exercises, cleaning up, applying oil and clay to pehlwans and doing chores. Training on the kushti way of life starts early and goes on for 5-6 years before they are allowed to engage in any serious wrestling. This, Nandu explains, is important to prepare the body for kushti. The muslces need both strength and flexibility, which one gets only after years of training. This is not an overnight sport that one can do with a few weeks or months of training. Along with it comes a strict diet, work ethic, disciplined prayer and spiritual routine. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186375234-IEPDX7TA3DINB5TXD5VP/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185832676-C1NWGL4BLPIL95GPSV7M/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. After about 20 minutes, Suraj Kant is close to pinning Gaurav Tiwari down and winning his first round. The opponent's shoulders and hips must both touch the ground in order to secure victory. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185697932-FK5EHHTI1MP8XB59KSVH/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Meanwhile, after completing his mace exercises, Nandu Yadav positions it carefully on his way to the akhara, casting his eye on the rest and voicing out instructions about correct posture and exercise technique. "Kushti is all about agility ("lachak"), strength alone is not enough," he says, watching another wrestler do sit ups and rope jumps. He can't do either as his knees have fallen prey to 30 years of wrestling in the akhara. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186188393-S96MWBD3IESPYDRCGAYB/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. After his two rounds of wrestling, Suraj Kant gets back to his post kushti workout routine - more weights, sit ups, push up and stretches. By my very rough estimate, during the course of one morning, he had done about 500 push ups, 300 sit ups, 3 types of weight exercises, rope and parallel bars, a couple of asanas to stretch himself and two intense rounds (25 mins each) of wrestling. Other pehlwans were on close count. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185312728-0LBEU8Z03JRO30ZQFSE3/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. At around 6:00 am, the first round of kushti starts. Depending on the day and how many pehlwans are present, each wrestler could have 2 to 3 rounds of 20-25 minutes each. Pehlwans exercise for close to an hour to get their bodies warmed up before setting foot in the akhara. This is sacred ground for them and nobody but wrestlers are allowed inside. The soil is sourced from the banks of the Ganges and then very carefully treated to sift out stones and pebbles. Ayurvedic oils, turmeric, Multani mitti (clay from Multan), salt and neem are then added. This is done every 2 to 3 months (about 5 times a year). Water is an important ingredient as well to ensure that the soil is soft enough on the bodies but not too soft to limit feet movements. In this first round, Suraj Kant Tiwari (left) faces off with Gaurav Tiwari, another migrant from Chapra, Bihar. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185965163-QZGDSY64KAVCY9WFYNAW/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. It takes Suraj Kant a few minutes to regain his position as he tosses Pankaj Patel down in a typical move called the "dhobi pachad." Once down on the ground, with the opponent's face in the clay, Suraj is quick to enforce the head and neck strangle (next three images) and end the bout. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185912259-W4VMB30DKAYQ27IWFAGW/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Gaurav Tiwari having lost his first round, watches from behind the fence. Suraj Kant's second round with Pankaj Patel starts off with the latter gaining early ground. Elder wrestlers like Nandu Yadav and others are inside the akhara (pit) giving tips and instructions to both, while youngsters watch, listen and learn. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185419421-L0TZHXLDACOS304E5IMQ/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Wrestlers immediately go after the opponent's head and neck in an effort to pin him down and gain a stranglehold. Traditional malla-yuddha emphasizes on this attack; the Moghuls introduced better footwork and ground movement techniques to the sport. No hitting, kicking, slapping is allowed in kushti. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185697932-FK5EHHTI1MP8XB59KSVH/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Meanwhile, after completing his mace exercises, Nandu Yadav positions it carefully on his way to the akhara, casting his eye on the rest and voicing out instructions about correct posture and exercise technique. "Kushti is all about agility ("lachak"), strength alone is not enough," he says, watching another wrestler do sit ups and rope jumps. He can't do either as his knees have fallen prey to 30 years of wrestling in the akhara. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186416985-CQDRTUBVVR7JJXT4JRB8/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. In between workouts, Suraj Kant takes a breather and talks to me about the akhara and its future. "There is diminishing interest in kushti and resources are scarce. We each have to consume 200 grams of almonds, half a pound of ghee (clarified butter), two to three types of vegetables and 3 litres of milk, a day. Without that fuel, our bodies cannot sustain pehlwani. We go to local schools and we also work to afford this akhara and its related expenses. There is no meaningful support from the government either. We have a few individuals who have come and joined the akhara and that helps a little, but I worry how sustainable this is. My father has run this however he could for the last 50 years, soon it will be on me. Let's see." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186319128-N83ZY75UHDFP4LI4DD5Z/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185634988-3JPYG8UHW675Q39CR180/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Other wrestlers continue their warm up routines as they wait turns to the akhara. Pankaj Patel will wrestle with Suraj Kant shortly and is getting ready. Most pehlwans start at the age of 7 or 8 helping others with their exercises, cleaning up, applying oil and clay to pehlwans and doing chores. Training on the kushti way of life starts early and goes on for 5-6 years before they are allowed to engage in any serious wrestling. This, Nandu explains, is important to prepare the body for kushti. The muslces need both strength and flexibility, which one gets only after years of training. This is not an overnight sport that one can do with a few weeks or months of training. Along with it comes a strict diet, work ethic, disciplined prayer and spiritual routine. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186188393-S96MWBD3IESPYDRCGAYB/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. After his two rounds of wrestling, Suraj Kant gets back to his post kushti workout routine - more weights, sit ups, push up and stretches. By my very rough estimate, during the course of one morning, he had done about 500 push ups, 300 sit ups, 3 types of weight exercises, rope and parallel bars, a couple of asanas to stretch himself and two intense rounds (25 mins each) of wrestling. Other pehlwans were on close count. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186115741-E03OE0W4CZY8JHKMJH0D/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186466511-LMK5GV8XCXIZJ7MCN8TU/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. This is the best part of a pehlwan's life. After the morning's kushti and workouts are done, pehlwans lay flat on the treated akhara clay to cool down and get a massage from junior folks. This both nourishes and heals the body. It is also a time of friendly banter, catching up and shifting gears to the rest of the day. The akhara clay is considered to be pure with therapeutic properties. Pehlwans worship the pit and continuously douse themselves with clay while wrestling. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185312728-0LBEU8Z03JRO30ZQFSE3/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. At around 6:00 am, the first round of kushti starts. Depending on the day and how many pehlwans are present, each wrestler could have 2 to 3 rounds of 20-25 minutes each. Pehlwans exercise for close to an hour to get their bodies warmed up before setting foot in the akhara. This is sacred ground for them and nobody but wrestlers are allowed inside. The soil is sourced from the banks of the Ganges and then very carefully treated to sift out stones and pebbles. Ayurvedic oils, turmeric, Multani mitti (clay from Multan), salt and neem are then added. This is done every 2 to 3 months (about 5 times a year). Water is an important ingredient as well to ensure that the soil is soft enough on the bodies but not too soft to limit feet movements. In this first round, Suraj Kant Tiwari (left) faces off with Gaurav Tiwari, another migrant from Chapra, Bihar. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185577594-J3WJCU7EIT6AG836VMNH/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. While Gaurav is heavier, bigger and likely stronger, Suraj Kant is more agile and has better technique (to Nandu Yadav's very audible point). He finds gaps in his opponent's defenses very quickly and is swift to attack the head with his right hand while protecting his own with the left. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185832676-C1NWGL4BLPIL95GPSV7M/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. After about 20 minutes, Suraj Kant is close to pinning Gaurav Tiwari down and winning his first round. The opponent's shoulders and hips must both touch the ground in order to secure victory. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186074504-JN9GOCBH1H1J2S96TO87/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186375234-IEPDX7TA3DINB5TXD5VP/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186516812-WPRRYLJUDE0UZRRXLH67/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. At around 8:30am, Suraj Kant takes a bath in the Hooghly to get rid of all the clay and sweat. 4 hours of a daily morning ritual finally over, he will now get ready and leave for his day job, at a nearby parking lot on Strand Road. The children will go to a local school, the elders will hang around the temple and kill time in the summer heat. Suraj Kant Tiwari, Gaurav Tiwari, Pankaj Patel and others in that age group will work, buy groceries, cook and clean. All in a days work while trying their best to preserve pehlwani and a way of life they are accustomed to - "Kushti." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185965163-QZGDSY64KAVCY9WFYNAW/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. It takes Suraj Kant a few minutes to regain his position as he tosses Pankaj Patel down in a typical move called the "dhobi pachad." Once down on the ground, with the opponent's face in the clay, Suraj is quick to enforce the head and neck strangle (next three images) and end the bout. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186255994-5IKN6YI0Z2JHK32P5TRF/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185187553-S3KXHAK6ZA9WPLED39VN/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. Nandu Yadav moved to Calcutta in 1965 (he isn't exactly sure of when but believes it was around then) from Azamgarh, a small town 70 miles north of Varanasi and a known hub of criminal activity. "What's a pehlwan looking to make a living going to do in Azamgarh? So I moved to Calcutta to practice pehlwani and joined Jwala Kant Tiwari's akhara right here," he reminisces. Jwala Kant Tiwari is an immigrant pehlwan himself, having moved from Gorakhpur a few years earlier and established the akhara on the banks of the Hooghly. This akhara now houses three generations of pehlwans, who start their daily rituals at about 4:30am with a Hanuman (Bajrang Bali) prayer followed by a series of physical exercises - the mace (gada), weights, ropes, bars and aerobics. Nandu is the first one to perform the mace exercise. Having wrestled for over 30 years, he doesn't have the mobility of the younger generation to partake in all exercises or even wrestling at this stage. But, his experience, wisdom and keen eye serve to guide other pehlwans in the akhara who look up to him as their mentor. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467185271710-F1KXBXO856JPSRW3THRP/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. 20 year old Suraj Kant Tiwari (Jwala Kant's son) is an emerging wrestler. While his father is away at Gorakhpur to attend to family matters, he oversees the daily operations of the akhara. Most young athletes today, look for the means and access to modern gyms and equipment for training. The results are quicker, as more advanced training is possible. "But your body looses flexibility and agility, which are extremely important for a wrestler. This is hard work done in very basic environments but we'd rather stick to this to preserve longevity," argues Suraj Kant as he does 3 sets of 50 push ups each following his prayers. Suraj has participated in and won many local tournaments, once inches away from wrestling in the national championships until he did not make it. "Winning tournaments is good as it gives us exposure and recognition, but kushti is a way of life for us, has been in my family for many generations and we must work harder to keep its survival. In this day and age, nobody cares about kushti and pehlwans." https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1467186020631-A1FAPW7Q9VTYLSU1CIII/image-asset.jpeg Kushti akharas in Kolkata © Ayash Basu. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1518247471246-OZUDA9O1H9EK5AXNNU4X/AyashBasu_Kushti_06.jpg Kushti akharas in Kolkata https://www.ayashbasuphotos.com/cityscapes daily 0.75 2025-08-27 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754973838042-1JVKYZL5QFHAUWNJJJKR/L1011934.jpg Cityscapes by Ayash Basu - San Quirico d'Orcia Morning light bathes rolling hills and vineyards in timeless Tuscan beauty. © 2025 Ayash Basu. Leica Q3/Leica 28mm Summilux 1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754972553457-HUUAZQ4EWTZ2SVQFH55H/L1011532.jpg Cityscapes by Ayash Basu - Manarola Manarola is the oldest of the Cinque Terre villages with allegedly the best sunsets. © 2025 Ayash Basu. Leica Q3/Leica 28mm Summilux 1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754971568712-E18W9JIKHNVAX2WFY83N/L1006015.jpg Cityscapes by Ayash Basu - Texas panhandle Meet PREP (Pantex Renewable Energy Project), the largest federal wind farm in America. © 2021 Ayash Basu. Leica M10P/Voigtlander 75mm Nokton 1.5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754973162919-HU2OX326THKYHBHUYNX7/L1007182.jpg Cityscapes by Ayash Basu - Florence Renaissance domes and narrow lanes glow beneath a sky painted in Tuscan rose. © 2025 Ayash Basu. Leica M240/Leica 90mm Summicron APO 2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754975156036-K3GE1VQYL2BJ5IYWSQQW/L1008878.jpg Cityscapes by Ayash Basu - Modern Malecón A glamorous addition to the Malecón, the SO/Paseo del Prado brings a dose of playful luxury at an iconic location. Significant projects to modernize Havana’s Malecón are underway but the harsh sea environment and chronic underfunding slow things down. © 2019 Ayash Basu. Leica M10P/Leica 35mm Summilux FLE 1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754976213910-PKI7AZVOZTBIIHX5D915/M10R7108.jpg Cityscapes by Ayash Basu - Valentine Prada Marfa, a permanent art installation with genuine Prada bags and half-pair shoes in the middle of the West Texan desert. © 2024 Ayash Basu. Leica M10R/Leica 28mm Summilux 1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1754980019186-ZJ6YR3C5B2YNYN1QERQT/DSC_0261.jpg Cityscapes by Ayash Basu - Brouwersgracht One of Amsterdam’s popular corners for photographers, the Cafe Papeneiland has been serving beer, jenever, and apple tarts since 1642. © 2015 Ayash Basu. 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Guanajuato Interludes https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1575260522455-6ZS6DQZLJUWO4VI6KLSY/CLR-1002946.jpg - Guanajuato Interludes https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1575261145235-LW2LEQURUVWL6N1ZAZXN/CLR-1002850.jpg - Guanajuato Interludes https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1575260965700-DT22331LT7RUR69QR6VU/CLR-1002848.jpg - Guanajuato Interludes https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1574457947571-P7TQW2LE0B0PSOQVOPIN/L1002308.jpg - Guanajuato Interludes https://www.ayashbasuphotos.com/cuba daily 0.75 2025-08-12 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/3cf5d587-a6ea-496c-b463-dbded1c954e5/L1006119.jpg https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/3cf5d587-a6ea-496c-b463-dbded1c954e5/L1006119.jpg https://www.ayashbasuphotos.com/-kumbh-indias-journey-through-time-copy daily 0.75 2025-09-03 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563209286800-6NL3MFK1KQRVFS1YN3SS/L1000651.jpg - Kumbh: India's journey through time (Copy) 22 temporary pontoon bridges were built for 2019 Prayagraj Kumbh to ferry over 200 million pilgrims over the sacred rivers of Ganges and Yamuna. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563210777732-5HFSL44QO949F20GFHJW/L1000617+3.jpg - Kumbh: India's journey through time (Copy) First-bathing rights at each Kumbh are decided according to akhara hierarchy and influence; trident and spear wielding sadhus charging down to the Sangam for the holy bath is one of the most awaited events at the Kumbh. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563485645599-ENFF4FVDPY2GOQ7AJNLD/L1000721.jpg - Kumbh: India's journey through time (Copy) A scene from Prayagraj train station. Tens of thousands of pilgrims arrive everyday in specially run trains from all over India. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563553611644-Y0KXBO1BOCWDVA1CW6TF/L1000735.jpg - Kumbh: India's journey through time (Copy) Weary feet at rest. I was at the Kumbh for 6 days with no pilgrimage intentions and still ended up walking 120K steps over 42 miles according to my iPhone’s Health app. That’s an average of 20K steps and 7 miles a day. These feet have done way more than that for much longer, without proper footwear - only to realize a belief and a desire for a dip in the holy waters of the Sangam. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563494831773-PPNPD13ERIAGPLCDEU0I/L1000240.jpg - Kumbh: India's journey through time (Copy) Kalpavasis are long-term pilgrims who lead a very austere life, often living on one basic meal a day. Feeding a Kalpavasi is often considered an act of piety and is a common site at the mela. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563668926649-O56QICMTRYVE7Y4MEX1S/L1000606+2.jpg - Kumbh: India's journey through time (Copy) Nothing gets in between Naga sadhus and their holy bathing. They will march through and over anything and anybody in their way. Select photographers and media personnel capturing their march do so at their own peril and must stay a step ahead of the sadhus to avoid certain physical altercations. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563546993582-8GKBGO8HLVLZNKXESJ79/L1000639+3.jpg - Kumbh: India's journey through time (Copy) A section of Prayagraj on the banks of the Ganges and the Yamuna turns into a tent city. About 20 million pilgrims could be accommodated at any given point in time. Many pilgrims make arduous journeys over days and weeks on foot to come here for a holy dip. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563548988871-SOON155X2WX4SVGOQI1V/L1000081.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549040843-NESRQB81CHMNN2VH94VR/L1000198.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549050435-U8136I5CAK27U7PLFB5A/L1000234.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549056042-1KWK1PHIA7SG0COMPLYE/L1000245.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549211726-ZUYKTUKWYEGXXXAHA03I/L1000220.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549218198-8B6GW0BA8ZFJKO6JQE2H/L1000413+2.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549241516-AJ6CY5J3WYO4Y14V5EA5/L1000252.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563553583922-XJ9TJO1L091MZXJUBETN/L1000088.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563546823028-0BIUK150QBSVUQ6PFF0G/L1000201.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563546839519-DEGA1QMNCTQ4Y59WYD0M/L1000218.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563546872691-DU6PTVUWS7EOIAB4XYM7/L1000348.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563655060888-5SGIPI6NM9DFVEY10A2G/L1000399+3.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563495075366-GIINMI0H8U2NWBH4AYYL/feeding+pilgrims.jpg - Kumbh: India's journey through time (Copy) Millions get to the Kumbh despite dire financial circumstances. For the entire duration of the Kumbh, every pilgrim is guaranteed at least two meals a day from akharas, volunteers, and other public service groups. For many, the Kumbh is the only time when they don’t have to worry about getting fed. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563209992076-TKDCB1TI24O5G75RV8HK/L1000416+3.jpg - Kumbh: India's journey through time (Copy) Ash-smeared Naga sadhus warming up for morning prayers at 3 a.m. Historically, Nagas have been fearsome warriors, defending key Hindu temples and cities from Mughal attacks. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563220613559-MZU27NRIZP1REBG5AJOV/L1000726.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563220630492-VJTHMF7BNM4BMSGB9IKX/L1000369.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563220642052-IW32LMGF911M263UYTKF/L1000359.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563654500282-F4MWP0815IA64Z53PG7C/L1000118.jpg - Kumbh: India's journey through time (Copy) https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563485066324-HUC649XBAWZELK6FT9DQ/L1000540+3.jpg - Kumbh: India's journey through time (Copy) Fourteen akharas are formally invited to the Kumbh but only six bathing processions are allowed. Consequently, smaller akharas often march behind or team up with larger ones in historically determined pairs. Here, the Anand akhara joins forces with the influential Niranjan akhara before they embark on their royal procession. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563549693216-A7TL7B0S72GL3CG10UR7/L1000105.jpg - Kumbh: India's journey through time (Copy) https://www.ayashbasuphotos.com/-amsterdams-ndsm-werf-copy daily 0.75 2025-04-13 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494442016993-XKSEQCW11WX6J43GF98O/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. The Kunststaad offers two levels of office space that renters can modify to their needs at very cheap costs. By my rough estimate, there must be at least 300 office spaces within this warehouse alone. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494437234343-EPNN68M0EWNF0Z2LE5P5/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. High quality, colorful graffiti grace many an old brick facade, changing weekly and constantly renewing the artistic fabric of the NDSM. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494453988439-DHA8ATLE3O6BOUFB55GF/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. An enormous office space built on top of elevated rail tracks that were once used to haul frames and steel in and out of ships. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494449260236-7UGU6BMLX6M8XLTOO4AG/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Enormous art canvases (this one is 7 ft high) scatter the display halls, often shipped to other locations and then brought back to the mother ship. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494452117487-ZWO5VDG4SP5UZHH3D7F3/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. The Faralda hotel situated in a crane. The red cubes are super high end suites, offering probably the best views of Amsterdam. A hotel with 3 rooms situated in one of the tallest cranes in Europe, amidst rail tracks and abandoned carriages. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1522857086822-O1NJ04JY0O5A416VBMOS/Amsterdam_NDSM_04.jpg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Throughout the NDSM, old shipping infrastructure is getting a creative facelift every single day. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1522856515974-TWNVKT9FKPBIU3DL4B35/Amsterdam_NDSM_03.jpg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Make what you will of this structure, an art installation with a ready to use metal workshop and foundry. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494451436384-W65Q7G97R1SN20AKMU0J/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. A film crew waits for a business meeting with one of the local production houses. There are theaters, films, art projects, architectural designs, 3D prints, all happening right here at this ten thousand sq. meter defunct shipyard. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1522857638092-W1A45OLVOD7BH4P25IZH/Amsterdam_NDSM_02.jpg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Massive shipping containers are re-cut and assembled to serve as office spaces for all kinds of business - this one, an office a tax and accounting firm. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494454801223-4PCMBX314NDPQQAXVBVL/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Love Holland, Amsterdam and the Noord. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1522858928797-GHYTQGRXCOSN3O9LMEI0/Amsterdam_NDSM_06.jpg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. NDSM succeeds by making art an integral part of the cultural and economic dialog, and not an effort in isolation. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494440444738-UL2AJYYSLRAORDT0S6AP/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. The local council authorities are invested and involved in the maintenance and upkeep of the old shipyard; here water and sewage pipe repairs are underway. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494439934542-BK213VVJ0J7IMF2ZYL2I/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Portable toilets gel well with the background and are moved easily to festival and performance venues as needed, within minutes. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494440815424-A4YP22DR7TO7Y2LOVCOM/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Shipping containers converted into colorful, modular, and super cheap student housing for emerging artists. Yes, it's basic and a metal box but one can't beat the price for being in the heart of Amsterdam, where affordable housing is increasingly a distant dream. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494451908579-3UEQWN19JBE5GDQKZ22B/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Amsterdam's quirky charms are well reflected at the NDSM work spaces. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494441272485-GVPODJ96PWN5N4G21TF4/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Massive exhibition and display spaces used for gatherings, events and festivals are part of the Kunststad, one of the main hangars of the shipyard. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1522855875448-ZMPFTJY9XA29A9FVKION/Amsterdam_NDSM_01.jpg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Old naval submarines and abandoned ships greet you on the approach to the NDSM from Amsterdam by ferry https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494439663759-HXUKB6GNB8LFJDJ0C71Q/image-asset.jpeg - Amsterdam's NDSM Werf (Copy) © Ayash Basu. Container boxes being moved to form a venue for a street art festival in a few hours. The shipping containers have many uses, including a canvas. "Make art not €," prominently displays on a massive wall of one of the warehouses. https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1494455766657-FI46HN9OVGZRXAXSIS41/NDSM-16.jpg - Amsterdam's NDSM Werf (Copy) https://www.ayashbasuphotos.com/jaipur daily 0.75 2025-04-13 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1673197097112-U7NZ0XFGV3RLLF3Q2S6A/M10P0348.jpg Jaipur https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1673197097195-GKDD0MRLVQ2YV8H4WYYJ/M10P0368.jpg Jaipur https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1673197098411-G4AYYP3HLZISOMZ9LKMG/M10P0378.jpg Jaipur https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1673197098496-JZI0FDUSCPCUYCB4MA0C/M10P0464.jpg Jaipur https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1673197099569-44PTIP3KKHMCUXNY0E98/M10R0223.jpg Jaipur 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Yet, he holds the distinction of being one of the ‘12 dullest people in the world.’ Johnie is Mr. June 2021 in this club and despite the title, he is one clever, quick-witted, car and road nut one can encounter. He gives exactly one minute to anybody wanting to make a photo of him. © 2024 Ayash Basu. Leica M10R + Leica 28mm Summilux f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755020872562-UU2NQNYXK1WDL67XHG2I/L1009540.jpg People - The Colonel This elderly man, likely a retired official from the Cuban military, is often seen in Old Havana, sometimes in varying degrees of uniform, at other times with just a jacket and his military cap. He will share fun stories if asked nicely, and for a small tip. © 2019 Ayash Basu. Leica M10P/Leica 35mm Summilux FLE 1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755017405514-HTKBAYIK2THGCUQSEFDV/L1000395.jpg People - Devotee of San Judas Tadeo A pilgrim, after days of walking, clutches a sacred statue in hopeful, prayerful silence for someone or something lost. © 2019 Ayash Basu. Leica M10P/Leica 35mm Summilux FLE 1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755022076492-4MZKL1H1KPF6U0OWEQKE/L1010262.jpg People - Pilgrim from Bihar A pilgrim from the eastern state of Bihar visits Varanasi during the Kumbh Mela. Saffron powder is applied from the nose to the forehead to extend its length as a metaphor for a husband’s long life. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755018866771-906CRDHCOQM4EMCKM32J/L1000793.jpg People - Vihuelistas Two members of a mariachi band start an impromptu vihuela jam thoroughly enjoying themselves. © 2019 Ayash Basu. Leica M10P + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755105866875-NH5VBNFAO1J7H667A8R4/000038980017.jpg People - Rudy Rodolfo (Rudy) Gonzalez–dear friend, fellow traveler and Pulitzer Prize-winning photographer on one of our several road trips. © 2024 Ayash Basu. Nikon F3 + Nikkor 50mm AIS f/1.4 + Fujicolor 200 film https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755019607198-SJZSWITQ3OYXHLAIT306/L1001038.jpg People - Generations entwined An elder’s steady hand passes tradition to the young as part of Day of the Dead rituals. © 2019 Ayash Basu. Leica M10P + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755118718205-GUQAM4BFRNGHSGRMR6NU/L1008769.jpg People - Bobby Rush Emmett Ellis Jr. (Bobby Rush) performing at Antone’s in Austin. A legendary blues, funk and soul composer, he won his first grammy at the age of 83. He is 86 in this photo. © 2019 Ayash Basu. Leica M10P + Leica 35mm Summilux f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755550105197-00E7E3EW9QIB25VD8C9U/AMS_3609.jpg People - The last Aryans An elder of the Dard Brokpa community, allegedly the last pure blood Aryans of India, adjusts the flower arrangement on child’s headgear–a striking contrast between tradition and modernity as the child heads for school dressed in western attire. © 2017 Ayash Basu. Nikon D750 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1756745792778-13ZTRZ71Z3R7X4216AXA/M10R9805.jpg People - Sacred Pause Amidst the chaos of the Kumbh Mela, a sadhu pauses with a warm smile, preparing his chillum—an intimate, candid glimpse of devotion, ritual, and joy. © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Nokton f/1.2 https://www.ayashbasuphotos.com/landscapes daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755119935294-U6SJ6Z5103SPI6H81XY3/SCW_4871.jpg Landscapes - Badwater Basin First light spills Badwater Basin, illuminating salt flats in soft pastel hues. © 2012 Ayash Basu. Nikon D7000 + Sigma 10-20mm EX HSM f/3.5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755124250984-BG9VR30NIQ1F5YX2R2T2/AYR_2281.jpg Landscapes - Crashed plane at Sólheimasandur The skeletal fuselage of a US Navy plane that crashed on the beach in 1973 is now a popular photographer’s destination in Iceland. © 2014 Ayash Basu. Nikon D7000 + Sigma 10-20mm EX HSM f/3.5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755125803978-3GKGA67CV6IO7YB0WCFU/AYR_2346.jpg Landscapes - Seljalandsfoss In Iceland, sunsets linger, draping Seljalandsfoss in vivid magentas, soft pinks, and deep blues, where cascading water meets painted skies in a fleeting northern dreamscape. © 2014 Ayash Basu. Nikon D7000 + Sigma 10-20mm EX HSM f/3.5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755361522521-TMR26YWQ28WNFZBVQOPD/AMS_1271.jpg Landscapes - Bryce sunrise Sunrise ignites the hoodoos, glowing spires backlit, sculpting a breathtaking desert cathedral. © 2017 Ayash Basu. Nikon D750 + Nikon 24-120mm f/4.0 ED AF-S VR https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755363017220-529SRHN42LFV5S765LFM/AMS_1751.jpg Landscapes - Moonscape Stark shadows carve the Bisti Badlands, its desolate forms echo a moonlike landscape. © 2015 Ayash Basu. Nikon D750 + Nikon 24-120mm f/4.0 ED AF-S VR https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755364652032-1UZOWBQLCXEIJI7I4VX1/AMS_0802.jpg Landscapes Late afternoon light unveils layered cliffs of the Grand Canyon, each ridge fading into vastness, reinforcing its timeless and monumental scale. © 2017 Ayash Basu. Nikon D750 + Nikon 24-120mm f/4.0 ED AF-S VR https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755366700337-203F818LNXOL5ZREF3XR/L1007643.jpg Landscapes - La Jolla pools A fiery red sunset in the horizon contrasts with moss covered rocks as waves crash in to break the silence. © 2021 Ayash Basu. Leica M10R + Leica 24mm Elmarit ASPH f/2.8 + 4 stop ND filter https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755386432210-K0XPN0C78M2N4OMP1X34/AYR_3472.jpg Landscapes - The rock A lone rock anchors rushing azure waters glowing beneath Zion’s warm canyon walls in vivid contrast. © 2015 Ayash Basu. Nikon D7000 + Sigma 10-20mm EX HSM f/3.5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755387257683-NNSUCEEUK8AIYVCTGECO/009+Alstrom+Point.jpg Landscapes - Alstrom Point Sunset bathes Alstrom Point in rich, deep hues, its desert panorama decked up in timeless splendor. © 2018 Ayash Basu. Nikon D750 + Nikon 80-200mm ED AF f/2.8 + CPL https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755526644296-63J03X1RCWR7K5AEAAUV/ABS_9392.jpg Landscapes - Mono Lake blues Blue hour at Mono Lake, fading twilight brushes tufas with its last glow, contrasting deep blue waters and sky. © 2018 Ayash Basu. Nikon D750 + Nikon 24-120mm f/4.0 ED AF-S VR + CPL https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1755529284307-FXJ16R4I0YSU87YVJA3S/L1760731.jpg Landscapes - Death Valley hues Under a fading pink and blue sky, tiny silhouettes of photographers crown the vast Mesquite dunes, humbled by Death Valley’s endless expanse. © 2018 Ayash Basu. Leica Q + Leica 28mm Summilux f/1.7 https://www.ayashbasuphotos.com/kumbhmela daily 0.75 2025-12-17 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1564357203122-IWOGOVF99391WGN7H14X/L1000078.jpg Capturing the Kumbh: Faith, Humanity and Politics 22 temporary pontoon bridges were built for 2019 Prayagraj Kumbh to ferry over 200 million pilgrims over the sacred rivers of Ganges and Yamuna. © Ayash Basu 2019 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1563209992076-TKDCB1TI24O5G75RV8HK/L1000416+3.jpg Capturing the Kumbh: Faith, Humanity and Politics Ash-smeared Naga sadhus warming up for morning prayers at 3 a.m. Historically, Naga sadhus have been fearsome warriors, defending key Hindu temples and cities from attacking invaders. © Ayash Basu 2019 https://www.ayashbasuphotos.com/day-of-the-dead-terlingua daily 0.75 2025-08-29 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509801291982-TMOFHUWK6QUQSCD9HQ6A/Terlingua_La_Cucaracha_David_Mendoza.jpg Day of the Dead - Terlingua - La Cucaracha David Mendoza's striking outdoor art piece gained fame in Terlingua before being moved to Marfa, TX. The striking sculpture, crafted from a repurposed SUV, showcases both Mendoza’s unique vision and the West Texas community’s support for unconventional artistic expression. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1544736486212-BLWLOCYLPI5VL1ZO0ZBB/ABS_9643.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509808327683-IMXTEGTUT6YHI21K3N8V/Terlingua_DayoftheDead_Randy_McLaughlin.jpg Day of the Dead - Terlingua - Randy McLaughlin Randy McLaughlin was a beloved figure in Terlingua, Texas, known for his role as the "King (Catrin)" during the Day of the Dead celebrations. This was Randy’s last Day of the Dead, he passed away peacefully at his home in Grand Prairie, TX just six months later. Randy graduated with a Science degree in Chemistry from Texas Tech, was a proud Eagle Scout and Lodge Chief of the Llano Estacado Council. His presence during the Day of the Dead celebrations was a testament to the deep connections he fostered in the area. © 2015 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509802288117-OQ7ASCU2EJ4HY6WTUFIW/Terlingua_Cemetery_Day_of_the_Dead.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509808044985-GSIPQM7Z6QBAZHMVEG1D/Terlingua_Cemetery_Grace_Sullivan.jpg Day of the Dead - Terlingua - Grace Sullivan The first time I photographed Grace was in 2015. She must have been in high school at the time and did an amazing job as Catrina, walking alongside Randy McLaughlin. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509808486177-21D78HQH6QK4XBZRWWXT/Terlingua_DayoftheDead_Women.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1478386517304-X6IDKZVN6NKJTSRAQRHI/image-asset.jpeg Day of the Dead - Terlingua - Dr. Dough Dr. Douglas Paul Blackmon was renowned for his unconventional approach to mental well-being. Sitting on the porch of the Trading Post, he would offer liquid therapy sessions, offering guidance over beer to anyone who needed it. He passed away in 2017 and his gravesite is adorned with numerous beer bottles, left by those whose life he touched. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509810636299-TBH1617G1RN5VS8H9D6Q/Terlingua_Cemetery.jpg Day of the Dead - Terlingua - Flickering Flames Shared stories. Terlingua gathers around the cemetery bonfire as dusk paints the desert blue and pink. © 2018 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1478287475305-D6HOU3AS8QFZUGKWGH9C/DSC_6467.jpg Day of the Dead - Terlingua - Last Light Another West Texas sunset drapes the Terlingua cemetery in gold and amber. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509809785146-Y57GTVNXFMJC4NQGWV3Q/Terlingua_DayoftheDead_Graves.jpg Day of the Dead - Terlingua - Blue Hour Candles below, crimson in the sky — a Terlingua sunset to remember.” © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509812259282-TS3914EA5PZG3GMH55CF/Terlingua_Starlight_Theater.jpg Day of the Dead - Terlingua - Starlight https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509813528524-GA06PCJFTETJWRFGJARD/Terlingua_Starlight_Dancing.jpg Day of the Dead - Terlingua - After Party Music, dancing, and community energy spill into the Starlight Theater after the cemetery celebrations. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509812056849-MWLBPQDNFMKTHBNMGX66/Terlingua_Starlight.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509811761271-1ICDSV51VTJMCQE2LQSB/Terlingua_Cemetery_Night.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509817359086-Z8UG2Q1PXN3JCWICUREY/Terlingua_DayoftheDead_Graveyard.jpg Day of the Dead - Terlingua - Tinsley's Chicken and Rolls David Tinsley was a Huntsville, Texas based entrepreneur known for his love of aviation, and of course, for the East Texas chain, Tinsley's Chicken and Rolls. © 2016 Ayash Basu https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509817112898-4OK5XFUX2ADBP18T6OZE/Terlingua_DayoftheDead_Decoration.jpg Day of the Dead - Terlingua https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1509815866136-CNBU8XS02TXMIT9YI2BC/Terlingua_cemetery_couple.jpg Day of the Dead - Terlingua https://www.ayashbasuphotos.com/utah daily 0.75 2025-10-08 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763903675218-V5MRV7KXTQGSYM1CHAEA/DSC_0469.jpg Utah - Flying into Adventure Southwest wing over Arizona’s stark desert, Vegas glimmering ahead—anticipation building to meet friends and launch the trip’s coming adventures. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760072833259-REV757NCGHO46RKEZ1E0/L1012036.jpg Utah - Highway to the Storm Driving toward Kanab on Highway 389, a calm desert drive turns cinematic — massive rain clouds gathering, light shifting, and the ordinary made extraordinary. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763915806490-5O98CPN32PE3DBR3X2H2/L1000087+1.jpg Utah - Thirsty Earth Highway 389 stretches into a cinematic desert scene. Dark rain clouds gather, light shifts, and cracked, parched earth waits, longing for the first quenching drops. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760810631045-V7SX83TWMOF0KX7XJX3L/DSC_0016.jpg Utah - Towards the Inchworm Off-road toward Inchworm Arch, excitement meets unease — thick storm clouds loom ahead, daring us forward as the desert braces for nature’s next act. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759933611100-ZW132XFY3VKLIOFO2FY6/L1000151.jpg Utah - Color of Erosion Layers of orange, red, and gold reveal Peekaboo Canyon’s ancient story—where light plays hide and seek between turns. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759697909730-VSX4L303DPZ5J2QVYJ7Y/DSC_0070.jpg Utah - Ribbon of Sky From the glowing heart of the canyon, a slender curve of blue traces the boundary between earth and infinity. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759614375257-U33OK9EOY20WBA1WC9O1/DSC_0067+1.jpg Utah - Infinity Curve The canyon narrows and bends like liquid fire—every curve a whisper from the earth’s long, patient dance with wind and time. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760906668313-0FU8TM58SOS4DIQ6XY9G/DSC_0044.jpg Utah - Imaginary Shapes Inside Peekaboo Canyon, swirling orange walls come alive — imaginary birds, faces, and creatures appear where only light and sandstone truly exist. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759617628023-EGH2HA0AXZBQRNYIUJOZ/DSC_0088.jpg Utah - Chromatic Passage Within the canyon’s sculpted walls, orange and magenta converge—light and stone in quiet dialogue. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760906668636-IX4GW0H3W4JOEXACTF84/DSC_0064.jpg Utah - Chromatic Passage Within the canyon’s sculpted walls, orange and magenta converge—light and stone in quiet dialogue. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759699027475-J93722A86ORWKVOMRQEV/L1000120.jpg Utah - Echoes of Life A fallen branch rests in silence, its color blending with the canyon walls—nature’s quiet reminder that life once passed here. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763915256413-YYKI8VTTRRXLB83MXDGD/L1000162.jpg Utah - Striped in Light Pikaboo Slot Canyon’s textured orange walls twist upward, alive with shifting light and shadow that carve color into every curve of stone. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759698566554-C2JEQG7CMO1TRRWUT9SE/L1000119.jpg Utah - Echoes of Life A fallen branch rests in silence, its color blending with the canyon walls—nature’s quiet reminder that life once passed here. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763914927500-RG83DW2BSY8PIMXO2771/DSC_0094.jpg Utah - Stormy Vista On the road to White Pocket, a sweeping vista unfolds as thick clouds gather, foreshadowing the desert storm rolling steadily closer. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759618711340-F6YQKW45PALBESE3QDFX/DSC_0107+1.jpg Utah - Stone and Storm White Pocket’s swirling sandstone ripples in red and ivory beneath a restless sky—nature’s sculpture shifting between storm and light. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759934612821-8VKSOZSFO1G0R2UJK80G/L1000167.jpg Utah - White Pocket Tempest Moments before the storm unleashes, dark clouds clash with the white rocks, colors ignite, and the desert holds its breath. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759935636012-MS4ZG3P6HYCOOK1EJ55V/L1012045+1.jpg Utah - Deluge at White Pocket Rain sweeps across the desert, dark skies pressing down, white rocks fading into a world transformed by the storm’s fury. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759920768532-XPR8KA3WGE8FS0HDHAY9/L1012046.jpg Utah - Storm Rider Our yellow Bronco waits under bruised desert skies at White Pocket—bold color against the storm’s looming fury. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760981687329-DVHYIHCI8XLQ6504A07P/P1030433+1.jpg Utah - Forgotten Stop in Bloom An old gas station near Kayenta stands quiet in the rain, its faded mural framed by wild yellow blooms reclaiming the desert’s edge. © 2025 Ayash Basu. Panasonic Lumix LS10 + Leica DC Vario 8.8 - 26.4mm ASPH Summilux f/1.4 - 2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763905735885-HBP44SPVS73S7UMX2ZKT/DSC_0114.jpg Utah - Clearing the Way Storm clouds linger over Monument Valley after two days of deluge, but blue skies emerge on the horizon, shifting the light and promising a break. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759919789041-VWYBQGYMVQVFZ8FW4FSB/L1000185.jpg Utah - A Western Memory A classic Monument Valley view—framed and shot in black and white, evoking the timeless grandeur of a John Wayne western. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759941398679-S3RB0JEFGPS4SR7FOQNT/DSC_0137.jpg Utah - Kingdom of Stone From Hunts Mesa, Monument Valley unfolds in golden grandeur—endless buttes and mesas reminding us how small we are in nature’s vast design. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763905385278-CI9R8PI3OX6CCKQYXHL2/DSC_0145.jpg Utah - Afternoon Glow Brilliant afternoon sun ignites Monument Valley, washing its buttes in vibrant oranges and reds—a bold, blazing contrast to the desert’s vast, open calm. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759942251549-4WX8CXZJ3HNPU8ZV9WSS/L1000226.jpg Utah - Valley of Light As the sun dips low, Monument Valley glows in gold and blue—the distant mittens fading gently into the warmth of the desert evening. © 2025 Ayash Basu. Leica M10R + Leica 90mm Summicron APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760480631690-FQTECE5S6AFYAPC1LU14/L1012059.jpg Utah - When the Desert Dreams From Hunts Mesa, Monument Valley glows beneath a fading sky — soft light, pinks and blues blending as day exhales into quiet wonder. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763905029841-4DR09N0MYAVMGZFQ2G8Q/DSC_0155.jpg Utah - Hunts Mesa Hush A soft sunset drapes Monument Valley in glowing pastel tones. From Hunts Mesa, the mesas fade into silence. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759917999855-P35KOHESRBDELLTHQ1UT/L1000244.jpg Utah - Celestial Silence Beneath Hunts Mesa’s quiet expanse, trees stand as sentinels as the Milky Way spills its light across the desert night. © 2025 Ayash Basu. Leica M10R + Voigtlander 21mm Ultron ASPH f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760906131185-UDYJC8E6NEFGO09C5ACY/DSC_0168.jpg Utah - Celestial Silence Beneath Hunts Mesa’s quiet expanse, trees stand as sentinels as the Milky Way spills its light across the desert night. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759943795918-S511BCMKN9WZK3QSYDZK/DSC_0181.jpg Utah - Dawn Unfolding At sunrise, Hunts Mesa awakens in purples, reds, and golds—Monument Valley revealing itself slowly, like a masterpiece unveiled brushstroke by brushstroke. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760983458692-BH2AGV4YJ3L10GEQG8YG/DSC_0185.jpg Utah - When the Sun Takes Over As dawn’s blues and magentas fade, the first sun ignites Monument Valley in golds and reds — a daily act of quiet, magnificent rebirth, the light transforms the scene in a mere few minutes. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759952415857-A86NSDD70LFEWUXK938D/L1012090.jpg Utah - After the First Light Morning light floods Hunts Mesa in brilliant oranges, a lone dead tree anchoring the vast desert stage beneath an endless sky. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759954600686-VYM8KF0HUELK0RHUGOAB/DSC_0228.jpg Utah - Guardians of the Gods Twin sandstone mittens rise from the Valley of the Gods, their fiery orange glow meeting a boundless blue sky where drifting clouds bridge earth and eternity. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761017693734-T3PQFZT1XXNYUKIOW08A/DSC_0244+1.jpg Utah - The Lone Sentinel A lone orange butte rises defiantly in the barren valley seen from the heights of the Moki Dugway. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759917159995-YDDGL3FX81NU19RY1ZL1/DSC_0247.jpg Utah - The Valley Aglow From Muley Point, the land unfolds in radiant golds and oranges—a vast canvas painted by sun, wind, and time. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759955452812-MLV3H1UVX4FV8GO85A13/DSC_0248.jpg Utah - Golden Expanse From Muley Point, the valley stretches endlessly, warm light and deep shadows dancing across mesas, revealing the vast scale and breathtaking grandeur of Utah’s desert heart. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760814404469-DZ8G2RI0XFANSQHBPVYY/L1012107.jpg Utah - Reflections at Muley Point Perched on stone above vast canyons, a small puddle mirrors the endless blue sky © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760813521380-W1YDGF8FSDAZ2HODQJXO/L1012117.jpg Utah - Twilight Over the Desert From Miley Point, the sun dips beyond distant mesas, warm oranges fading to soft blues and pinks, Monument Valley’s silhouette anchoring the horizon in serene grandeur. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760813666445-MJ4BXUMEJA4G66T2BSGN/DSC_0266.jpg Utah - Belt of Venus Light from the setting sun reflected back in pinkish hues and the shadow of the earth in soft blues, creating the Belt of Venus over Muley Point. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760906328817-U0JX9T8WR0B4M29FHFF0/DSC_0272.jpg Utah - Blue Silhouttes From Muley Point, Monument Valley fades into blue silhouettes beneath a golden sky © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761018736411-ZEN27PLAYBVYG9IVE18A/L1012121.jpg Utah - Fragments of the Sky After sunset at Muley Point, pools of water mirror the fading blues above — fragments of sky left behind on stone. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759613124582-HBD71M2LF63AEOPLS5AQ/DSC_0296+1.jpg Utah - House on Fire Sunlight ignites an ancient ancestral cave dwelling giving it a haunting luminous illusion. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763904307446-T378FS5ZTGFTWBDP2LKR/DSC_0314.jpg Utah - Route 95 Reverie Utah’s Route 95 unspools through staggering desert beauty. A sudden curve, impossible scenery—We had to pull over and frame the wild, cinematic sweep of the road. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761019435648-ZYJQPPHKRE2A0JUGN7B1/DSC_0322.jpg Utah - CYMK Views and colored bands of the White Canyon seen from Route 95 in Utah © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761019939657-8KSP0HY2EP1B1GSL2EXD/DSC_0332.jpg Utah - CYMK Views and colored bands of the White Canyon seen from Route 95 in Utah © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759682895392-59NKA2YG99S7OGD53QWB/DSC_0341.jpg Utah - Desert Alchemy Bathed in late afternoon glow, Goblin Valley’s sandstone spires ignite against a deep blue Utah sky. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761020388657-ZVBWHE28CI4PL4EA9NMH/DSC_0347.jpg Utah - A Fire in the Sky A single hoodoo stands defiantly in Goblin Valley, its fiery orange form blazing against the calm, endless blue of the desert sky. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760036321059-X8UC0FRU1MTCN3SYA0MI/DSC_0346.jpg Utah - Towering Flame A hoodoo rises in Goblin Valley, its deep orange form casting a dramatic shadow against the crisp, endless blue sky. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759683545604-GHMHIR7PJDQWDETVVSV8/DSC_0361.jpg Utah - The Last Light Show Storms gather on the horizon, Goblin Valley ignites—stone, sky, and rain blending into one final act of colorful drama. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761023183604-P0J4K67A8MD10M00NBYC/DSC_0384.jpg Utah - Whispers of Time As dusk settles over Goblin Valley, clouds drift in painterly motion—color and stillness meeting. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759689787629-BLEFT8QDAY2NG8NW4GYV/DSC_0396.jpg Utah - Desert Bloom Golden wildflowers greet the dawn as Temple of the Sun ignites in crisp morning light — desert resilience meeting timeless rock. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759957159398-T1MF6T0T9XVC6MBQEPYR/DSC_0397.jpg Utah - Awakening the Moon First light strikes the Temple of the Moon in Cathedral Valley, igniting it in fiery orange—an ethereal, otherworldly glow that transforms stone into a living sculpture. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759684435645-E4L89XQ3G66JBI0ADGE3/L1000273.jpg Utah - Dawn at the Twin Temples First light brushes Cathedral Valley, igniting the Temple of the Sun and Moon—two ancient monuments basking in the desert’s quiet reverence. © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759613660161-6YPOBKLYXN11JLLCHV1L/DSC_0405+1.jpg Utah - The Last Stop An abandoned truck and a lifeless tree stand in silence—ghosts of motion in the vast, sun-bleached desert expanse. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761021512287-04S0365LJTPEKTUTUWQL/L1000304.jpg Utah - RGB Nature’s own color wheel — red earth, green life, and blue sky — perfectly aligned in a fleeting moment of balance at Bentonite Hills. © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759687621413-QPU166IT1JS744HVAFBD/L1000312.jpg Utah - Companions in the Dust Two solitary rocks rest on cracked earth, their stark shadows stretching in the harsh light. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759688525330-A05F6DMWQE813KS2JWZJ/L1000320.jpg Utah - Resilience A lone bush clings to life amid barren cracked earth, a subtle testament to persistence in the harshest of landscapes. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761022342924-SPW0KSZC7ILKZGUO82WE/L1000321.jpg Utah - What Remains A withered tree casts its shadow across the fractured soil of Bentonite Hills — a haunting echo of life in a landscape stripped to its bones. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760026259517-6NQCYOYMBS762HZ8UR7J/L1000310.jpg Utah - Life Between Worlds Amid Bentonite’s deep reds and maroons, a lone green shrub clings to life beneath a blue sky and quiet quarter moon — resilience made visible. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763903990965-TWQO69WIASGUUDP1F8N5/L1000313.jpg Utah - Stone against Time A dark gray ash rock presses into soft red bentonite soil—contrasting textures revealing the quiet tension shaping Utah’s surreal desert forms. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759917124444-2QM85LICQW8JBY0YL08K/DSC_0418.jpg Utah - Contours of Time The Bentonite Hills reveal an abstract symphony of color and form—ancient earth layers swirl in reds, grays, and pale blues. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760024368605-F2PTLW406MMVMKAXNX9S/DSC_0407.jpg Utah - Scarlet Wonders Against white and gray mounds, deep red and maroon clay deposits ripple across Bentonite Hills amidst nature’s vivid stratigraphy. © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760025135384-66QPTMADBJS0B9UOPORB/DSC_0409.jpg Utah - Abstract Palette A close study of Bentonite Hills reveals nature’s abstract art—red, gray, and violet layers flowing together in silent rhythm, shaped by wind, time, and imagination. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760025729890-8B6058H2ILPQUQXUIT7A/DSC_0413.jpg Utah - Abstract Palette A close study of Bentonite Hills reveals nature’s abstract art—red, gray, and violet layers flowing together in silent rhythm, shaped by wind, time, and imagination. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759689581773-PIPLDVRM9KM6TBW9OR8M/L1012139.jpg Utah - Echoes in Silence White stones rest against the cracked red desert earth, a minimalist reflection on form, texture, and the quiet beauty of stark landscapes. © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761022860281-QZGIB8Y8LKCDU6ZSEE67/L1012135.jpg Utah - Veins of the Earth At Bentonite Hills, bands of gray and white give way to deep red and magenta — as though the land itself is bleeding color into stone. © 2025 Ayash Basu. Leica M10R + Leica 90mm Summicron APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760027083374-VULBSKU3XD285B8JNBSO/L1000325.jpg Utah Layers of red, cyan, gray, and white ripple through Bentonite Hills — an abstract study in form, color, and the desert’s geometry. © 2025 Ayash Basu. Leica M10R + Leica 90mm Summicron APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760028890316-V97H0E6RUTEZ57EZAGDV/DSC_0434.jpg Utah - First Light Over Moonscape At dawn, soft light spills across Hanksville’s otherworldly terrain — sculpted ridges and shadowed valleys awakening beneath a sky still blushing with morning glow. © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760030898996-13WG4SE0BALW2L52H4X3/L1000333.jpg Utah - Dawn at Moonscape At dawn, soft light spills across Hanksville’s otherworldly terrain — sculpted ridges and shadowed valleys awakening beneath a sky still blushing with morning glow. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760032289156-YWJUH600HX2EG2GR5UBV/L1000338.jpg Utah - Golden Moonscape As the sun crests the horizon, the gray ridges of Moonscape Overlook ignite in molten gold. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760034701257-2XM984L2XLNIS5HRD1GV/DSC_0460.jpg Utah - Rivers of Stone From afar, the dry channels of Moonscape Overlook twist and weave like ancient waterways — a silent symphony of curves, erosion, and time frozen in monochrome. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760034106488-9B86Q6AY0BKTQKYFBB0U/L1000348.jpg Utah - Monolith from Another World Rising like a relic from another planet, this otherworldly formation guards the desert’s edge — a silent monument to time, erosion, and the infinite unknown. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759690372891-OQ9Q83ZJWT8E9M0S43CR/L1000349.jpg Utah - Factory Butte A stark, high-contrast vision of Factory Butte looms beneath the dark, clear sky - light and shadow carve textures on this ancient formation. © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759722721190-N0ZBOUEN2UDLD48V7I47/DSC_0465.jpg Utah - Monolith in Light and Shadow From afar, Factory Butte rises like a sculpted relic—its dark flanks and stark contrasts etched against a brooding desert sky. © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763903889330-ZJUA1HXJ11L111P5E0XN/L1000367.jpg Utah - Painted by Time Deep blue sky crowns Capitol Reef’s orange, yellow, and red cliffs—layers of earth glowing like a desert fresco carved by ages. © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760982608671-GIJV5V5NT7S0JXKCV9KF/L1000183.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 24mm Summilux ASPH f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761017241756-8GPNVI1TAFK7EOMN1VBM/DSC_0232.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759678304680-95QPV24B24175049GFJY/DSC_0230+1.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759682571113-25BJU5NT6ZX02C4KWPPN/L1000248.jpg Utah © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759685491496-M7BWCV3RC4OLLWOQMZ50/L1000287.jpg Utah © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759685892895-WOVU6WPVGB53ZVG9WEBC/DSC_0254.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759686148559-SINYBZCIS3MY7RS16O5Z/L1012111.jpg Utah © 2025 Ayash Basu. Leica Q3 + Leica 28mm Summilux f/1.7 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759686642964-Z4ACAE96Q0AZ69RXICF1/DSC_0318.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759691501019-MA00QV58EW4EQLUOC0I8/L1000094.jpg Utah © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759691804469-62HWW108WWNUIUUYFGOI/DSC_0028.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759699239315-FJVKE63IRLZV54ZHLI0P/DSC_0093.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 20mm ED G f/1.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759699828642-00O7IQQ4K3Z9JR3TEK2U/L1000136.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759722076916-QESI4JCP1FRFJZPPHFRG/DSC_0100.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1761023089422-BVRYN3YST6PYLX73O2TM/L1000395.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759722418603-LE77J5S89MNPEI7RO8XU/L1000202.jpg Utah © 2025 Ayash Basu. Leica M10R + Voigtlander 50mm Lanthar APO f/2.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759915520014-TF2AO6CVHAJ79XD8ICLI/DSC_0277.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 50mm AF-D f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760033598223-9PHUQ6TFAQEM4GIEU03Z/DSC_9711.jpg Utah © 2025 Amitava S. Ray. Nikon 750 + Nikon 24-120mm AF-ED f/4.0 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1759921348952-RFPE6QYODGIATOHJ375R/L1000156.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760069050521-U0JCYQSSRMOZ60K5353P/L1000135.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760023550864-X63Y5A5543PH0RDD6QLU/Ayash1_MP.jpeg Utah © 2025 MP Hariharan. Sony A7R5 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760023561654-U9EWSK8QCCR1IRRKY7Y6/Ayash1_RM.jpg Utah © 2025 Rajit Maiti. Sony A7R5 + Sony 24-70mm GM f/2.8 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1760035034986-W77G3G6EB6S9EDMM0NSQ/L1000394.jpg Utah © 2025 Ayash Basu. Leica M10R + Leica 35mm Summilux FLE f/1.4 https://images.squarespace-cdn.com/content/v1/5606f649e4b0983210446d67/1763916099304-UO55WFZNLUFEX5G8OKX9/DSC_0101.jpg Utah © 2025 Ayash Basu. Nikon D850 + Nikon 80-200mm AF-ED f/2.8